Tell us about your studio space - what is your set up? Are there particular things you need around you to work effectively?
I am very lucky that I live where I work, my studio is below my flat and is quite large with beautiful light and tall ceilings..but can be very cold in winter so I wear a Marines padded boiler suit….
I keep the largest area dedicated to painting and keep the walls clean so that I can concentrate on the work. There are large plan chests on which I make drawings, collages and wood prints and a rather large storage area of older work… and an upright piano where I play very simple Bach and ‘arranged’ Chopin etc… very badly but I enjoy the shape and sounds and no one else has to hear me.
Radio 4 is a constant companion… unfortunately I can’t listen to music as it is too emotive and breaks the concentration… occasionally if I am just doing clearing up jobs I can listen.
Talk us through a typical day in your studio. Do you have a routine?
A typical Day in the studio is everyday, no distinction between Sunday or Monday, its a daily practice and a good day could be until 8 or 9pm particularly in the Summer warmth. I’m not an early starter and rarely get going before midday, after home pilates, and endless emails etc… No books or computer in the studio… no distractions… but I have to put on mascara as I am ’going to work’ even if nobody sees me that day. Studio practice, happily a solitary affair is of course fractured by going to openings of exhibitions sometimes several a week… in a sociably noisy space, the opposite of daily practice…a dichotomy…
Buy the limited edition print here.
You work on a variety of scales, often creating very large paintings. How did you find creating this postcard-sized work?
I like to work on large sized paintings, over two metres… a bodily size that is about ‘real’ space and I also make small paintings which I feel are like looking through the wrong end of a telescope….space but in miniature..
Drawing and collage are important to keep things open and a different way of thinking or constructing, composition or spatial dynamics. Working on a postcard size is just another challenge… like painting plates, and I’ve even done an egg cup for charity.
You were elected as a Royal Academician in 2015 and have of course featured in their summer shows, if you were asked to curate the summer show what would be your curatorial concept?
As a fairly recently elected RA I am quite fearful of eventually being invited to be on the Summer Show Exhibition selection… and so the question of what I might bring to it is still thankfully in the future…but it would be about Colour and Light and Perception…
Are there any contemporary artists or art movements you are particularly excited about?
Recent contemporary artists…. Elizabeth Murray, Brice Marden Robert Mangold Agnes Martin…and closer to home, Stephen Cooper, Gill Ord, Tim Renshaw, Lee Maelzer,Mary Ramsden, Katy Kirbach…..and several hundred more….
Do you have any exciting projects coming up you can tell us about?
A few group shows in Artist lead exhibitions this year, and the RA Summer Show…. and just ‘daily practice’.