Lot 35 - Rebecca Sammon - Curl In
Lot 35 - Rebecca Sammon - Curl In

Lot 35 - Rebecca Sammon - Curl In

Pencil and oil pastel on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

ARTIST INFO

About

Rebecca Sammon is a British artist currently living and working in London. She studied Fine Art at the University of Brighton, Painting and Poetry at Kansas City Art Institute and The Drawing Intensive at The Royal Drawing School. Rebecca has works currently available via Partnership Editions, She had solo show at Blue Shop Cottage in London, she one of the Delphian Gallery Open Call Winners, and was recently involved in shows at Delphian, Purslane, Wilder, Berntson Bhattacharjee and Daniel Raphael galleries. In addition she has had work acquired by Soho House and private collections globally. Her bold, poetic pieces pulse with vibrant immediacy. Often Rebecca’s pieces are inspired by abstracted elements of nature interacting with human forms within imagined landscapes, moving from suggestions of mythical narrative into the more ambiguous, fluid space of uncertainty. The balance of figures flow through the work and the often bold colour combinations transport the figures from reality to an altered dream state world.

 

Education

University Of Brighton BA Hons

The Royal Drawing School Drawing Intensive

 

Select Exhibitions/Awards

One of the 2021 Delphian Open Call Winners

 

Statement about AOAP Submitted Artwork 

This piece is an embrace between mother and child, a unity, as two combine in arms.

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.