Lot 254 - Jennifer Hornyak - Wandering Madder
Acrylic on Paper
2022
A6 (15x10cm) Original Artwork
Signed on Front and Verso
ARTIST INFO
About
Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.
Education
Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.
Select Exhibitions/Awards
2020 Oeno Gallery
2019 Galerie de Bellefeuille
2018 Oeno Gallery
2017 Galerie de Bellefeuille
Wallace Galeries
2016 Oeno Gallery
Studio 21 Fine Arts
2015 Galerie de Bellefeuille
Wallace Galeries
McClure Gallery
2014 Oeno Gallery
2013 Galerie de Bellefeuille
Wallace Galeries
2011Galerie de Bellefeuille
Galerie St-Laurent Plus Hill
Wallace Galleries
2010 Trinity Galleries
2009 Galerie de Bellefeuille
2008 Wallace Galleries
Studio 21
2006 Galerie de Bellefeuille
2004 Studio 21
2003 Galerie de Bellefeuille
1998 Galerie de Bellefeuille
1995 Eleonore Austerer Gallery
1994 Galerie de Bellefeuille
1991 Eleonore Austerer Gallery
1987 Nancy Poole Studio
1985 Galerie Claude Lafitte
1983 Galerie Claude Lafitte
Gallery Representation
Galerie de Bellefeuille
Wallace Galleries
Galerie St-Laurent Plus Hill
Oeno Gallery
Ian Tan Gallery
Statement about AOAP Submitted Artwork
These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract.
PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.