Lot 23 - Hannah Lees - Giant Octopus Eggs
Lot 23 - Hannah Lees - Giant Octopus Eggs
Lot 23 - Hannah Lees - Giant Octopus Eggs
Lot 23 - Hannah Lees - Giant Octopus Eggs
Lot 23 - Hannah Lees - Giant Octopus Eggs

Lot 23 - Hannah Lees - Giant Octopus Eggs

Photograph/Digital Image

2023

A6 (10x15cm)

Original Artwork 

Signed on Verso 

Curated by Louise Fitzjohn 

ARTIST INFO

About 

 

Hannah Lees (b. 1983, Kent, UK)  

Lives & Works in Margate, UK 

 

Hannah Lees’ work investigates ideas of cycles, constancy and mortality; the sense that things come to an end and the potential for new beginnings. This constancy, be it in religion, science, history or in organic matter, is visible in her practice through her attempts to make sense of and recognise traces of life. Traditional processes, materials and rituals are often reworked to explore how ideas and beliefs can live, die and be reborn across times and cultures. 

 

Education 

 

2011        Postgraduate Diploma in Fine Art, Chelsea College of Art, London, UK 

2004-06   BA (Hons) Fine Art, UCA, Canterbury, UK 

2003-04   BA (Hons) Fine Art & Visual Culture, UWE, Bristol, UK 

 

Select Exhibitions/Awards 

 

Foundry Residency at the Royal College of Art, London, UK (2012). In 2018 she was awarded the Gasworks International Fellowship at Pivo in Sao Paulo, Brazil and the British Council UK/Indonesia Exchange Residency. 

 

Previous Exhibitions: Well Projects, Margate, UK; La Centrale, Auvergne-Rhône-Alpes, FR; MOSTYN, Wales, UK; Whitstable Biennale, UK; Turner Contemporary, Margate, UK; Grand Union, Birmingham, UK; VITRINE, Basel, CH; CASS Sculpture Foundation, UK; ADDAYA Centre d’Art Contemporani, ES; Kingsgate Project space, London, UK; CAIRN, Fife, Scotland; Kunsthal Charlottenborg, DK; Generator Projects, Dundee, Scotland; South London Gallery, London, UK; V22, London, UK; Edinburgh Sculpture Workshop, Scotland. 

 

Statement about AOAP Submitted Artworks 

Her kinship with Giant Pacific Octopus, who slowly die caring for their eggs in their nursery/tomb, can be seen in the purposely low-resolution digital depictions of hanging octopus eggs; the grey glitchy block-out has removed the trace of the octopus mother and the cave leaving just the thriving eggs. 

 

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PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.