Lot 394 - Coral Harding - Ember
Lot 394 - Coral Harding - Ember
Lot 394 - Coral Harding - Ember

Lot 394 - Coral Harding - Ember

Oil on Wood

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust.

ARTIST INFO

About 

Coral Harding (b. 2001, London) is an artist currently in her third year of undergraduate studies at the Slade School of Fine Art, UCL. She studied her Art Foundation at Central Saint Martins. Coral examines the impression of awe and the psychology of perception. She is interested in the exploration and creation of space, and the ability to change the way space is experienced. Working with the material properties of light, she creates work in the forms of sculpture, painting, print and drawing to investigate the way light is both ephemeral and solid and has the power to illuminate and reveal while simultaneously being obscure. 

Education 

2019 - 2020 Foundation Diploma in Art and Design at Central Saint Martins 

(Currently studying) BA Fine Art at Slade School of Fine Art UCL  

2020 - 2024 

Select Exhibitions/Awards 

2022 - Dwelling - Group Exhibition, Brent Cross Centre, London. 

2022 - JUICEBOX - Group Exhibition, RuptureXIBIT, Kingston. 

2022 - Colour/Pigment/Poetry - Online Exhibition, 

Slade School of Fine Art, UCL  

2022 - FISHTANK - Group Exhibition, Penarth Centre, Bermondsey. 

2021 - 'Obscured' at the Royal Academy Summer Exhibition. 

The Royal Academy of Arts. Selected by Yinka Shonibare. 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.