Lot 71 - Vanessa Jackson RA - Wisk (4)
Lot 71 - Vanessa Jackson RA - Wisk (4)

Lot 71 - Vanessa Jackson RA - Wisk (4)

Acrylic on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for St Wilfrid's Hospice Eastbourne

ARTIST INFO

About 

Vanessa Jackson, on first reading, appears to take the most formal approach to painting, but her use of geometry and its three-dimensional function deny the supposed flatness of modernist space. Vanessa’s work explores the contradiction of a fully realised space at once pertaining to logic and completeness and uncertainty and unease. The ornamental and optical play of colour acts to both confirm and confuse our sense of perception, constantly shifting between concrete presence and the ambiguity of space beyond our grasp. Vanessa destabilises the very 'ground' we most desire, a sense of security and belonging.   

Education 

1971 – 1975  
St Martin’s School of Art 

1975 – 1978  
Royal College of Art 

Select Exhibitions/Awards 

SELECTED SOLO EXHIBITIONS 
2021 UpTownDancing 13 Pedestrian Crossings, commissioned by HOLBA and the Royal Academy of Arts, London 

2014 Rough Cut and Faceted, Marcelle Joseph Projects, London 
Throwing Shapes, wall painting, Café Gallery Projects, Southwark 
2008 Vertigo in Three Parts, wall painting, Sadler’s Wells Theatre, London 

SELECTED GROUP SHOWS 

2015 Simply Painting, Inverness Museum and Art Gallery, Inverness 
Distressed Geometry, Kunstraum Baden, Switzerland 
Summer Exhibition, Royal Academy of Arts, London 
2014 Abstract Geometry, Rook & Raven Gallery, London 

SELECTED COLLECTIONS 

J. Paul Getty Museum, California 
Royal College of Art Collection, London 
The National Museum and Arts Gallery in Botswana 

 

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PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.