Lot - 15 - Melania Toma - Study Of A Worm II
Lot - 15 - Melania Toma - Study Of A Worm II
Lot - 15 - Melania Toma - Study Of A Worm II
Lot - 15 - Melania Toma - Study Of A Worm II

Lot - 15 - Melania Toma - Study Of A Worm II

mixed media on canvas


A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Art City Works



Melania Toma (b. 1996) is a multi-disciplinary artist living and working in London. At the centre of her practice lies the exploration of narrative subjectivity within webs of gender, power hierarchies, and ecological degradation. These intersectional analyses include concepts of hybrid femininity, structures of domesticity, and the possibilities of the transformative power of the self. Languages between the individual and the collective are at the centre of her work, in which visual semantics play with the double forces of construction and deconstruction of the real. 




MA Fine Art, Chelsea College of Arts, London, UK 


Graduate Diploma, Chelsea College of Arts, London, UK 


BA Conservation of Cultural Heritage and Performing Arts Management, Ca’ Foscari University, Venice, Italy 


Solo Shows 


As Soon as the Sun Sets, Daniel Benjamin Gallery, London, UK 


Cabin UTROBA, Sarieva Gallery, Plovdiv, Bulgaria 


Group Shows 


Studio Response, Saatchi Gallery London, UK 


Sistema Tempo, MO.CA: Centro Per Le Nuove Culture, Brescia, Italy 

MATTER, Flowers Gallery, London, UK 

Soft Monuments, Frestonian Gallery, London, UK 

London Design Biennale, Italian Pavilion with Triennale Milano, Somerset House, London, UK 

From the Rattle, FOLD Gallery, London, UK

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity; all artworks have been generously donated by the artists to raise money for charity. When a work is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising.