Lot 19 - Lotta Camilla Teale - Caribbean Turquoise
Oil on Board
2022
A6 (15x10cm) Original Artwork
Signed on Verso
ARTIST INFO
About
Lotta paints figurative oil paintings, and is inspired by early 20th Century painters such as the Scottish Colourists and William Nicholson. For the last few years she has lived between Islamabad, Tuscany, Bangkok and London, and she recently moved to Jerusalem. Raised in London she trained as a barrister and worked for 14 years in law and development, living for many years in Sierra Leone and Pakistan. Having painted since she was young, in 2018 she started painting professionally, and has developed a practice focusing on still lives and plein air. She aims to paint loosely, with accuracy of colour and drawing, while maintaining a certain liveliness.
Education
Primarily self-trained, with short courses at the Slade, Ecole National Superieure des Beaux Arts (Paris), Charles Cecil Studios (Florence) and Art Student’s League of New York.
Select Exhibitions/Awards
Solo show, Panter and Hall, Mayfair, June 2022
First prize, the British Art Prize, 2021
Exhibit frequently at Mall Galleries in various Open Exhibitions (ING Discerning Eye, New English Arts Club, Society of Women Artists, Royal Institute of Oil Painters, Royal Society of Marine Artists)
Other mixed Open Exhibitions include: Royal West of England Academy, Chelsea Arts Society, London Art Biennale, Chelsea Arts Club.
Prints of her work are available at John Lewis
Gallery Representation
Panter and Hall (Mayfair), Jerram Gallery (Sherborne), Nadia Waterfield Fine Art (Hampshire), Anecdote (Chicago)
Statement about AOAP Submitted Artwork
It is a life-sized paint tube of Michael Harding Caribbean Turquoise.
PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.