Lot 321 - Melanie Bellis - Urban Scene II
Lot 321 - Melanie Bellis - Urban Scene II

Lot 321 - Melanie Bellis - Urban Scene II

Etching on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust.

ARTIST INFO

About 

Melanie’s work focuses on urban and industrial landscapes, and the man-made structures that populate them. Her drawings and prints explore architecture in all its forms, derelict sites from our industrial past, well-known buildings of our time, and new developments under construction. The underlying theme in her work is change and the way we constantly develop and reshape our surroundings. 

Education 

Melanie was trained in Fine Art Printmaking at Doncaster College then Norwich School of Art. 

Select Exhibitions/Awards 

Melanie’s work has been exhibited across the UK and internationally, including being selected several times for the Royal Academy Summer Exhibition. Her work is held in a number of collections, including the Ashmolean Museum in Oxford, and the V&A and British Museums in London. She was elected to the Royal Society of Painter Printmakers (RE) in 2017. 

Gallery Representation 

Bankside Gallery, London 

Statement about AOAP Submitted Artwork 

The two works feature small studies of an urban landscape near Brick Lane in London. They are sections taken from a larger etching made on steel. Melanie uses steel for its gritty and industrial feel, creating images with a dark and brooding atmosphere. 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.