Lot 344 - Aron Wiesenfeld - Untitled
Gouache on paper
2023
A6 (10x15cm)
Original Artwork
Signed on Verso
This auction is raising proceeds for The Hepatitis C Trust.
ARTIST INFO
About
Aron Wiesenfeld (born 12 August 1972) is an American painter, illustrator and comic book artist based in San Diego, California. He is known for painting disquieting scenes of lonely youths. His works have been shown at several exhibitions in the United States and Europe including those at Arcadia Contemporary in New York City, Unit London, Long Beach Museum of Art and the Bakersfield Museum of Art. Aron has created illustrations for various comics publishing companies including Marvel Comics, Continuity Comics and WildStorm. He was nominated for an Eisner award in 1997 for his work on Marvel Comics' limited series, Deathblow/Wolverine.
Education
Cooper Union, New York and Art Center College of Design, Los Angeles
Select Exhibitions/Awards
SOLO EXHIBITIONS
2023
”The Gardener”, Arcadia Contemporary, New York, NY
2020
Evoke Contemporary, Santa Fe, NM.
“Ages Of Innocence”, James Freeman Gallery (with Christopher Noulton.) London, England.
2019
”Natural Selection”, Arcadia Contemporary, Los Angeles, CA.
GROUP EXHIBITIONS
2022
“Present” Evoke Contemporary, Santa Fe, NM
“Bookworks” James Freeman Gallery, London, England
“The Frame Remains The Same”, Arcadia Contemporary, New York, NY
2021
“At The Edge Of Realism”, Kirk Gallery, Denmark
Art On Paper Fair, Arcadia Gallery booth, NYC
Gallery Representation
Arcadia Contemporary, NY. Evoke Contemporary, Santa Fe, and James Freeman Gallery, London.
You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING.