Lot 79 - Michael Ajerman - Little Battle

Raising Proceeds for the Hepatitis C Trust


Watercolour, ink, and oil on acrylic sized paper
2025
A6 (10x15cm)
Original Artwork
Signed on Verso
Curated by Victoria Lucas

 

Education 

2001-2003  

Slade School of Art. Masters of Fine Art. 

2001  

Yale at Norfolk Summer Art Program, CT, USA 

1998–2001  

New York Studio School of Drawing, Painting, and Sculpture 

1999-2000  

University College London, Slade School of Art Exchange Program 

1996-1997  

Corcoran School of Art, Washington DC, USA 

 

Solo Exhibitions 

2025  

Can't You Hear Me Knocking, SQFT Space Gallery, London, UK

2024  

Wild Life, Hemingway Art, Oxford, UK 

The Matters, Ein Sof Gallery, London, UK 

2020  

Grip, Aleph Contemporary, London, UK (Online) 

Walker House, Diane Rosenstein Gallery. Los Angeles, CA, USA (Online) 

2019  

Possessions, Diane Rosenstein Gallery. Los Angeles, CA, USA 

2017  

Far From Tahiti, HemingwayArt, Oxford, UK 

2013  

Squash, Transition Gallery, London, UK 

Inatteso/Unexpected, Marco Rossi Arte Contemporanea, Pietrasanta, Italy. 

 

Selected Group Exhibitions 

2024  

The Discerning Eye, Mall Gallery, London, UK 

Enchanted Bodies, Blyth Gallery Imperial College, London UK 

A1 vs Ai, SQFT Space Gallery, London UK 

Hampstead Art Society Summer Exhibition, London, UK 

2023  

Exhibition 2023/4, Bunker Art Space, Miami, Florida, USA 

East Wing Collection, Courtauld School, London, UK 

Portrait of Artists, Browse & Darby, London, UK 

Hampstead Art Society Summer Exhibition, D Contemporary, London, UK 

Boil, Toil + Trouble, Art in Common, Los Angeles, CA and Chicago, IL 

Useful Drawing, Eye to Pencil, London, UK 

2022  

Boil, Toil + Trouble, Art in Common, Miami, USA 

Dark Night of the Soul, Oneroom Gallery, London, UK 

Hampstead Art Society Summer Exhibition, Fitzrovia Gallery, London, UK 

April Artist Selection, Platform with Diane Rosenstein Gallery, USA 

2021  

Discerning Eye Drawing Bursary, Mall Gallery, London, UK 

Foot-Face, Kingsgate Workshops, London, UK 

Lust Gruppenausstellung, Galerie Hübner + Hübner, Frankfurt, Germany 

Next Generation Now, Ruth Borchard Collection, London , UK (Online) 

Drawing Biennial 2021, The Drawing Room, London, UK 

French House Auction Fundraiser, French House, London, UK 

2020  

The Just, curated by Dan Coombs, Aleph Contemporary. London, UK (Online) 

2019  

Connections, Gerald Moore Gallery, London, UK 

Royal Academy Summer Show, Royal Academy, London, UK 

Ruth Borchard Self Portrait Prize, Piano & Noble, London, UK 

2018  

Pacific Breeze, White Conduit Projects, London, UK 

40 C selected by Tabish Khan, ASC Gallery, London, UK 

Evening Standard Art Prize, National Gallery, London, UK 

 

Awards 

2020  

Freelands Foundation Grant 

2018  

Kitaj Research Fellowship, UCLA, USA 

2014/2  

Manhattan Graphics Center, SummerINK Scholarship 

2003  

British Institute Royal Academy Award 

2003/2  

Slade Bursary 

1996  

William Newman Memorial Painting Award 

 

Statement about AOAP Submitted Artwork 

My aim is to use paint to investigate feelings and the sensations of present moments.   Painterly touch fluctuates from piece to piece, color decisions are affected by subject and ideas at hand.  Humour, wit, energy, mystery, voyeurism; these are some of the notions that I operated with which affect composition, scale, and subject. This searching for a depiction that is not premeditated to echo the changing moods and scenarios individuals find ourselves in. Committed to image making, though I am never far from the comical realization the act of painting is playing with colored dirt. 

The 2020 pandemic coincided with personal loss which created a deep questioning of motives for painting and its importance.  Is creative culture valuable or necessary, and to whom?  This tug of war lead me to working out this debate with a renewed focus on animals. While fully aware of the kitsch element in their depictions, to me they are visual motifs found in many incredible moments in the history of image making over thousands of years and cultures. Creatures are a combination of binary opposites, of calmness and the feral.  This echoes the time I continue to find myself in. The feline has affected my physical approach to painting with their mysterious behavior and kinetic anatomy affecting subject matter  and my approach to mark making.   My goal is to create a residual imprint of this sensation in color or line.   These moments though personal I hope are universal and communicate.

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